Working Pattern
|
What does this mean?
|
Who works like this?
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Pros
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Cons
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Shift work
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An assigned set of work hours
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Camera operator
|
Shifts can be changed and adjusted to conditions.
|
Needs to have experience frequent hire and get work.
Shifts are often set in awkward and dangerous conditions that are health
threating.
|
Fixed term
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Set period of time
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Researcher
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The researcher can work at their own leisure.
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Work must cautiously be correct and double checked
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Office hours
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Hours set in the office-popular shifts are from 9am-5pm
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Production secretary
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Regular pay for the job. No travelling is
necessary-everything is done in the office.
|
Can be a stressful without having good time management
skills in order to get the work done.
|
Freelance
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Freelance workers are independent workers; they work for themselves.
|
Freelance writer
|
Freelance workers can work on multiple projects, with more
time to complete them.
|
No health coverage No frequent income like full time
workers.
|
Hourly rates
|
Paid by the hour
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Specialist technician
|
Paid by the hour. Work is evaluated on time. Easier to
track the amount to be paid.
|
More pressure to get work done.
Pay may be lower in
total compared to someone who does a salary job.
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Piece work
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Paid for each piece created
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Props maker
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Pay is determined on the piece you are making and the
effort which may be required to make it work. Some would be more expensive if
they take longer/are harder to make.
|
More pressure to get the work done in the set time. Those
without experience will find piece work more difficult.
|
Wednesday, 12 June 2013
Ways of working
Monday, 10 June 2013
Sunday, 9 June 2013
Saturday, 8 June 2013
Unit 22: Task 2
INDIVIDUAL IDEAS AND PRE PRODUCTION
Equipment list
1 canon camera
1 Tripod
1 dictaphone/recording device
1 pair of headphones
1 microphone
props
Costume
-Simple suit
- White shirt
- Black tie
- Blazer
- Black slacks
Storyboards
Script
CAT GOT YOUR TONGUE?
Script by Hannah Gowdy
LONG SHOT OF HEAVY LOOKING DOOR.
ZOOMS INTO DOOR KNOB.
FAINT MUSIC CAN BE HEARD FROM INSIDE
DOOR OPENS
MUSIC BECOMES CLEARLY HEARD NOW
INSIDE IS REVEALED TO BE A DARKLY LIT STUDY
THE CAMERA CONTINUES TO MOVE SLOWLY OVER SMALL DETAILS OF
THE STUDY. (HEAVY LOOKING BOOKS, PENS AND PIECES OF PAPER EVEYWHERE)
THE CAMERA STOPS AT A MAN AT A WRITING DESK.
HIS BACK TO US.
HE IS YOUNG. MALE. DARK HAIR.
HE APPEARS TO BE WRITING.
[IN THE CORNER OF THE DESK THE AUDIENCE CAN SEE A LARGE CAT
STATUE]
CUTS TO MEDIUM CLOSE UP OF HIS FACE
A LOOK OF CONCENTRACTION UPON HIS FACE. HE ALSO LOOKS
WORRIED.
HE LOOKS UP SUDDENLY AND JUMPS THEN TURNS AROUND IN HIS
CHAIR AND SMILES.
[IN A RELAXED MANOR]
Oh it’s only you. What are you still doing up?
[LOOKS CONFUSED FOR A MOMENT THEN IN A TEASING VOICE]
You going out somewhere?
[HE SUDDENLY BECOMES FEARFULL.]
HE IS THEN HIT IN THE FACE WITH SOMETHING HEAVY
MEDIUM SHOT OF THE VICTIM FALLS OFF HIS CHAIR ONTO THE
FLOOR.
THE ATTACKER MOVES IN FRONT OF THE CAMERA BLOCKING THE VIEW
FOR THE AUDIENCE [THE ATTACKER IS WEARING A LARGE BLACK CAPE- AUDIENCE
UNABLE TO TELL IF MALE OR FEMALE
THE FLICK OF A PEN KNIFE IS HEARD.
THEN THE ATTACKER MOVES OUT OF THE FRAME.
THE VICTIM IS STILL ON THE FLOOR. BLOOD SEEPING OUT OF HIS
MOUTH.
CLOSE UP OF BLOOD ON HIS MOUTH
MEDIUM SHOT OF ROOM.
CAMERA SLOWLY ZOOMS OUT INTILL BACK OUTSIDE THE DOOR.
DOOR CLOSES AFTER CAMERA LEAVES
MUSIC CAN BE HEARD FAINTLY
Thursday, 6 June 2013
16.1.2
The Break Up.
Evaluation.
In camera editing work is where the scenes where filmed directly after each other using only the pause button to separated the scenes.
The aspects I'm most pleased with from 'The Break Up' is the continuity from the scenes and how the story flows well together. I also like the cross cutting between the two characters as it gives the basic story more of a depth.
I think the background noise is a bit distracting and it could've been preventing by going somewhere more quiet with less people around and there is a very obvious scene jump in the middle of the video which annoys me.
If I had the chance to edit I would put in some music to make the story more dynamic and interesting to watch and I would develop the script better so I could play around with the different shots.
Wednesday, 5 June 2013
Soundtrack analysis
UNIT 38: Soundtrack analysis
Sherlock Holmes (2009)
‘Boxing Match’
Sound effects: Crowd cheers, Physical contact
(Punches/Kicking), Boxer being hit into doors, Sherlock ‘dodging’ (Wind
resistances?) Clapping, Slapping, Boxer spitting, ‘Whooshing sound as Sherlock
goes into thinking/narration mode, Slow motion fight, Footsteps, Heavy
breathing, Paper rustling, cork being pulled out of bottle
Audio background: Folk music ( Rocky road to Dublin- The Dubliners)
Dialog: Crowd Cheers, Sherlock Holmes narration, Boxer
taunting
In this short 3 minuet sequence of Sherlock Holmes (2009) known
as the ‘Fight Scene’ on youtube I, personally, heard many different diagetic
and non-diagetic sounds.
The main focus in the audio area is, to me, the folk music
that makes up the non diagetic background sound- It’s the clearest thing I
heard throughout the entirety of the scene and was a strong focus point to me
it works well with the idea that Sherlock Holmes is fighting in a working class
boxing/bar area where it is quite common to find folk music.
The second
most noticeable sound element to me was the physical contact sound effects that
emphasize the original sound so it sounds louder than it would to the
characters in the film itself so it stood out more to me and gave the scene a
dramatic effect that would’ve not worked if they made it quieter.
I also
heard quite clearly at the end of the fight itself between the boxer and
Sherlock Holmes the sounds of Sherlock walking barefoot in the dirt, him
opening a bottle and taking a piece of paper from one of the workers. But I believe
that to me that the narration that Sherlock Holmes has while thinking is the
most important and easily heard audio part of the sequence- you can hear it
over the crowd cheering (which is subdued) and his own attacks against the
boxer.
Fight Club () ‘Where
is my mind?’- Ending
Sound effects: Buildings falling, Explosions, people walking
on tiled flooring
Audio background: Where is my mind- Pixies
Dialog: Marla Singer and ‘Tyler Durden’ are talking to each
other in hushed, calm tones
This sequence starts quite subdued and calm as the characters
are talking in rather quite tones although it is rather hard to hear one of
them as he’s been shot in the cheek (Admittedly he did do that to himself) so
you can hear the blood gurgling very quietly as he speaks. Then the audio
background music begins to build up which sets a nice backdrop for the collapsing
buildings that happen next which contrasts very nicely together as they
contrast they show how detached the two characters are to the buildings.
One part of
the audio that always stuck out to me is how the audio background increases
suddenly in volume when the first explosion goes off and stays quite loud for the
rest of the title sequence which creates the mood that the two characters seem
to be having.
The other characters who are not shown in the sequence can
be heard with their footprints on the floor which is louder than what is
natural so the audience can understand
that they are leaving the room altogether which really stood out to me.
How did you do that?
How did you do that?
“Movies took you right up to the edge but kept you safe” - John Updike
“Filmmaking
is a chance to live many lifetimes” - Robert
Altman
“Film
can immerse you, put you there” - Kathryn
Bigelow
The ‘cycle’ is an order of what happens in a films ‘life’
from when it is made to when it is consumed. It starts with the production
which is split into three different parts; 1- Preproduction, when the planning
is done, 2- Production- when the filming takes place, and 3- Post- where the editing
is done. Marketing exchange is next in the cycle it is the posters and
advertisements to advertise and promote the film coming out; to generate more
interest in the film itself. Distribution is the film being shown in cinemas
and audience consumption is when the audience watches, tweets, reviews,
facebooks and ‘consumes’ the film this is when tickets, popcorn and drinks are
paid for and sent to the producers.
Studio
films are more likely to be known as a ‘Hollywood
blockbuster’ or a feature film. They are often made by well known producing
companies and are filled with the most popular and well known actors at the
moment while independent or ‘Indie’ films are more likely to be shown at film
festivals or put up online.
Independent
films often rely on the back end money that comes from the feature films- if
the feature film exceeds it’s expected sale goals the producers use the money
to fund a smaller ‘indie’ film. Studio films are
often more marketed more to the general public; they spend thousands of pounds
on advertisements, endorsement and promotion. Posters, TV adverts, cinema
adverts, magazine articles, computer adverts and leaflets are just a small
fraction of feature film promotion, indie however is rarely- if at all-
marketed towards general public they focus on promoting it when other
independent films are shown so at film festivals and in certain film magazines
in a small section.
Independent and feature films often have a dramatic difference in
their audience feature are often watched by the general audience of all
demographics while independent films are often watched by an audience who
specifically seek out the independent films in order to watch them.
Rarely a
independent film can become so popular that they become a studio or mainstream
viewed film.
Simon Ellis
Simon Elllis began his career as a black and white photographer at aged 16 studying still photography, he then began to pursue a career in film after graduating. Ellis had helped on fellow students projects as a camera operator and became interested in the making of films.
Ellis began to write his own short scripts and started working as a volunteer at the now-defunct Intermedia Film and Video in Nottingham, providing access to camera and editing facilities. He also freelanced story boards and graphic design.
Ellis received numerous international film festival awards for his film work- from music videos (The petebox) to full length feature films.
His most famous works are Telling Lies (2000) and Soft (2007) both have been featured on the Cinema 16 DVD collections.
Ellis began to write his own short scripts and started working as a volunteer at the now-defunct Intermedia Film and Video in Nottingham, providing access to camera and editing facilities. He also freelanced story boards and graphic design.
Ellis received numerous international film festival awards for his film work- from music videos (The petebox) to full length feature films.
His most famous works are Telling Lies (2000) and Soft (2007) both have been featured on the Cinema 16 DVD collections.
Wasp vs. Fish Tank
Wasp and
Fish tank
Andrea Arnold was
the director and writer for both Wasp and Fish Tank. She grew up on an estate
much like both our protagonists so she has a very deep understanding of how
tough that life was bringing a realistic level of emotion to the film.
Both Wasp and Fish tank
have the same theme of social realism as a focus point. Wasp looks at the
social realism of a mother struggling with money and feeding her children while
Fish tanks’ looks at the story of a teenager called Mia’s view trying to break
out of her miserable life in her social placement.
Both films have the
theme of helplessness and desperation in them. Wasp the mother-our protagonist-
Cannot look after her children properly and is struggling to get money while
being threatened with child protection from another mother whom she got into a
fight with. Our protagonist is often displayed as powerless in these
situations- she cannot win in a physical fight and she cannot win when having
an argument.
Both films are part
of the social realism genre provoking empathy in the audience when they see how
others have it much worse than them.
Tuesday, 4 June 2013
TV Advertisement 2
SCRIPT
STORYBOARD
VIDEO
|
AUDIO
|
Close up: Service member looks into the camera and puts on his cap which says-"No problemo."
Close up: Scenario 2-person B can't do their make up properly.Close up: Scenario 1-person A is having trouble getting the vending machine to work. Close up: Scenario 3-person C is frustrated with a broken computer in the library. Mid shot: Scenario 3-person A bangs their head on the table. Long shot: Scenario 3-Service member enters the library. Mid close up: Service member shakes the computer. Person A looks up in surprise. The computer is fixed. Person A looks at the service member and smiles in thankfulness. Mid shot: Scenario 2-Person B slides her hands down her face in aggravation. Service member appears in the shot and removes her hands from her face, and turns her face towards him. Over the shoulder close up: Service member does her make up. The camera shifts to his hand where he is holding her mirror, allowing us to see her look at her reflection. The service member puts his thumbs up, and she keeps smiling at herself in the mirror. Close up: Scenario 3-Person C continuously presses buttons on the vending machine. She takes a deep sigh. Over the shoulder close up: Service member appears from the side and smiles at Person C. Reaction shot (close up): Person C jumps out of shock. Close up: Service member presses buttons. MCU/Mid shot: Service member goes to take a drink/snack out of the vending machine flap. He picks it up and smiles. Person C is thrilled. Long shot (coming out of focus): Service member runs up the stairs. Title shows up. Close up slides in: Service member looks into camera with a concerned look | "We don't care what your problem is-we want to solve it!" Fatboy Slim-Weapon of choice/Fatboy Slim-The journey/Elvis Presley-Little less conversation starts to fade in. "No problemo-the service which holds all the technical and creative solutions you need." "Your problem-is our problem." |
STORYBOARD
1) Close up: Service member looks into the camera and puts on his cap which says-"No problemo."
"We don't care what your problem is-we want to solve it!"
2) Close up: Scenario 1-person A is having trouble getting the vending machine to work.
3) Close up: Scenario 2-Person B can't do their make up properly.
5) Mid shot: Scenario 3-person A bangs their head on the table.
6) Long shot: Scenario 3-Service member enters the library.
7) Mid close up: Service member shakes the computer. Person A looks up in surprise. The computer is fixed. Person A looks at the service member and smiles in thankfulness.
8) Mid shot: Scenario 2-Person B slides her hands down her face in aggravation. Service member appears in the shot and removes her hands from her face, and turns her face towards him.
9) Over the shoulder close up: Service member does her make up. The camera shifts to his hand where he is holding her mirror, allowing us to see her look at her reflection. The service member puts his thumbs up, and she keeps smiling at herself in the mirror.
10) Close up: Scenario 3-Person C continuously presses buttons on the vending machine. She takes a deep sigh.
11) Over the shoulder close up: Service member appears from the side and smiles at Person C.
12) Reaction shot (close up): Person C jumps out of shock.
13) Close up: Service member presses buttons.
14) MCU/Mid shot: Service member goes to take a drink/snack out of the vending machine flap. He picks it up and smiles. Person C is thrilled.
15) Long shot (coming out of focus): Service member runs up the stairs. Title shows up.
"No problemo-the service which holds all the technical and creative solutions you need."
16) Close up slides in: Service member looks into camera with a concerned look
"Your problem-is our problem."
__________________________________________________________________
Equipment list
Risk assessment
Actor agreement forms
Location agreement form
Location
Stairs
Stairs
1st Floor
2nd Floor
3rd Floor
Props list
Make-up
Equipment list
Camera
SD card
USB
Risk assessment
Area
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People affected
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Hazard
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Risk Rating
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Controls
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1st Floor, 2nd Floor/3rd Floor
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Actors
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Accidents caused by actors falling over objects
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Low
|
Director and Camera operator will move the objects out of the way to avoid any incidents.
|
1st Floor, 2nd Floor/3rd Floor
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Editor(s)
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Headaches or muscle strain from editing
|
Medium
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Regular breaks from the screen and stretches in-between. Sit on a comfortable chair with a straight posture.
|
1st Floor, 2nd Floor/3rd Floor | Camera operator | Muscle strain or injuries from carrying equipment | Low | Camera operator will hold equipment with care and awareness, transporting all equipment in an appropriate manner. |
1st Floor, 2nd Floor/3rd Floor |
Camera operator
|
Muscle strain or injuries from carrying equipment
|
Low
|
Camera operator will hold equipment with care and awareness, transporting all equipment in an appropriate manner.
|
Production Schedule
Programme Title
|
No Problemo services
|
Writers
|
Jian Li, Tomas Belousas, Priscenya Briah
|
Producers
|
Tomas Belousas, Priscenya Briah
|
Directors
|
Tomas Belousas, Priscenya Briah
|
Date
|
14/05/13
|
Crew
Camera operators
|
Tomas Belousas, Priscenya Briah
|
Make-up and hair department
|
Hannah Gowdy
|
Props
|
Make-up
|
Location
|
Stairs
1st Floor 2nd Floor 3rd Floor |
Call date
|
14/05.13
|
Call time
|
3:00pm-4:00pm
|
Actors
Actors involved
|
Jian Li
Tomas Belousas Patricia Dixon Chandra Khan |
______________________________________________________________________________
Shooting Schedule
Production Company: Cheap Productions
Production Title: No Problemo Services
Producers: Tomas Belousas, Priscenya Briah
Directors: Tomas Belousas, Priscenya Briah
CALL DATE
|
SCENE NUMBER
|
CALL TIME
|
INT/EXT
|
LOCATION NAME/BRIEF DESCRIPTION
|
CAST
|
CAST PRESENT (Y/N)
|
14/05/13
| 1st Floor-Library computer scenario |
Jian Li
Tomas Belousas Priscenya Briah Chandra Khan Patricia Dixon | ||||
22/05/13
| Narration | 1:15pm-2:45pm | Int | 3rd Floor-narrations | Jian Li Tomas Belousas Priscenya Briah Chandra Khan Patricia Dixon | Y Y Y Y Y |
Actor agreement forms
Location agreement form
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